Here's some handy, infringealicious clip art for the discriminating Anon who wants to make a statement without paying a royalty: a Guy Fawkes mask, suitable for urban art, dress-up, and silkscreening.

Guy Fawkes Mask clip art (Thanks, @crisnoble!)

One of the quieter scenes from a story in Western Gunfight magazine, illustrated by George Wilson. The high bid on this piece of original art stands at $1!

GEORGE WILSON (American, 1921-1999). Western Gunfight cover. Oil on board. 22 x 14.5 in. (image). Not signed

Boing Boing was a clue on Jeopardy! tonight. "Who was Steve Jobs'"

Mr Norton also added: "It was a pleasure collaborating with PRADA and LG, both Global brands with impeccable reputations for being the most innovative and respected in their fields." How nice of Mr Norton to write that sentence for the press release!

Johannes sez, "Cory was so kind to post my TEDxVienna talk on monochrom's feature film project SIERRA ZULU. I wanted to give you guys an update. Today we released a short film: EARTHMOVING. It's the prequel to SIERRA ZULU. We thought that's a good way to expand on the backstory and give the folks something to see while we are still working on getting the feature film financed and (hopefully) done. We have a bunch of great actors (e.g. Jeff Ricketts, who was part of Firefly or Star Trek: Enterprise) and our crew at Golden Girls Filmproduktion (Vienna) was absolutely wonderful."

Earthmoving: A Sierra Zulu Prequel (Thanks, Johannes!)

I've always enjoying studying the original art for comic book pages, because it's fun to look at the washes, white-out marks, pen lines, blue pencil lines, erased pencil, and brush lines. You can learn a lot from them.

IDW's Artist's Editions (I've not seen a copy in person) print scans of original comic art pages, and judging from this video, they seem to go a long way in getting the look of original comic art pages. Here's the video for John Romita's Amazing Spider-Man Artist's Edition (above). IDW proudly presents John Romita's The Amazing Spider-Man: Artist's Edition, collecting six complete stories by the great John Romita, arguably the definitive Spider-Man artist. Each page is scanned from the original art, same size as drawn, and in full color (in insure the best possible reproduction). This Artist's Edition measures 12 x 17 inches and each book is shipped in a custom cardboard box for maximum protection.

While appearing to be in black and white, each page was scanned in color to mimic as closely as possible the experience of viewing the actual original art—for instance, corrections, blue pencils, paste-overs, all the little nuances that make original art unique. Each page is printed the same size as drawn, and the paper selected is as close as possible to the original art board. I just found out that there are Wally Wood, Dave Stevens, Walter Simonson Artist's Editions. They are sold out, of course. You can buy copies on Amazon for hundreds of dollars. If you want the Romita one, I suggest you get hopping.

Dan R sez, "This corporate news piece from the opening of 'Spaceship Earth' has plenty to offer the casual to semi-rabid technology fan who is also partial to World's Fair-esque exhibits about the FUTURE! Great footage of 'Spaceship Earth's' exhibits abound, and the film also features other highlights of EPCOT, including Exxon's 'Universe of Energy,' replete with animatronic dinosaurs."

I got trapped on Spaceship Earth during opening month (it had been going down sporadically all day, resulting in heroic queues), just as we reached the top. After a long wait at the apex, we all got to walk down the stairs to get out. It was my first look backstage at a ride. It was seminal.

Chronicle News Update: EPCOT (Thanks, Dan R!)

[Video Link] "Camden council in north London have recently installed this talking camera that issues threats to residents at Walker House."

This restored 1957 home movie of a Disneyland visit, from the Disney History Institute, is an absolute treat. I love the rare footage of the Frontierland pack-mules and the Jungle Cruise as it was before the jungle really grew in; I'm likewise captivated by the sight of the (by modern standards) harshly metallic and dangerous-looking conveyances for small children. From The Disney Blog:

The Disney History Institute scores big again with a vintage color film from 1957 Disneyland. DHI uses the same transfer process that Ken Burns does to get his amazing footage and the result is something with the truest and brightest colors I've ever seen from Disneyland's early days.

1957 Disneyland Film is a Treasure

Gweek is a weekly podcast where the editors and friends of Boing Boing talk about comic books, science fiction and fantasy, video games, board games, tools, gadgets, apps, and other neat stuff.

My hosts on episode 38 are Dean Putney, Boing Boing's coding and development wizard, Boing Boing alum Joel Johnson of Animal New York, and Dannel Jurado, a software engineer from Peru who's working at Etsy and, by Dean's description, "is deeply ingrained in 8 bit music, geek culture, craft and software."

Below is a list of the things we talked about in Gweek episode 38. (Sure, you could just click on the links below to learn about them without listening to the podcast, but then you will miss out on the mind-blowing insights we shared in the episode.)

If you enjoy Gweek, please rate it in the iTunes Store -- thanks!

Johann Sebastian Joust in Yerba Buena Gardens "basically like high-tech tag. Each person has a Playstation Move controller, and the object of the game is to jostle other people's controllers so that you're the last man standing."

Playing Dungeons and Dragons via Skype.

A new Jim Woodring T-Shirt in the Boing Boing Shop!

After doing all sorts of cool stuff for Gawker Media, Joel is going to Animal New York.

Joel reviews the book, Arguably: Essays by Christopher Hitchens.

Dean digs LibriVox, a site where volunteers record public domain books into audiobooks.

Joel recommends Conan Doyle's The White Company (free on Gutenberg), "about archers from England who go to France to wage war and plunder ... it comes off like Jack Vance."

Mark reviews the graphic novel Pigs: Hello Cruel World.

Joel saw two movies this week: A Dangerous Method (and Carl Jung, Sigmund Freud and Sabina Spielrein, "the beautiful but disturbed young woman who comes between them") and The Rum Diary (based on Hunter S. Thompson's autobiographical novel).

Mark told Joel to read Gonzo: the Life of Hunter S. Thompson, which consists of anecdotes culled from interviews with 120 of Thompson's acquaintances, beginning with his childhood in Kentucky and ending with his death in 2005 in Woody Creek, Colorado.

Roots, by Danimal Cannon. Cannon wrote: "Every song on this album was composed using a Nintendo Gameboy DMG-01 running the homebrew software LSDJ. If you download the album I've also included the .sav files so feel free to learn my tricks, remix, or whatever!" Dannel also runs a cool music blog.

Joel gives his first impression Hero Academy, a free, turn-based RPG strategy game for iOS. He also excited about news of an X-Com revival.

Dannel recommends an iOS game called Puzzlejuice, which is a bit like Tetris with the added challenge of having to spell words using tiles with letters on them.

Dean loves his Fujitsu ScanSnap sheet-fed document scanner

MikeyP sez, "Filmmaker friends of mine have a lovely melancholy stop-motion film (about a tiny entymologist with a lightbulb for a head) they're hoping to get into the Australian short film festival Tropfest via the audience vote.If you have a second, and feel so inclined, pray click the link, scroll to the right to find 'Re-Collection',* and if you like the film, please vote for it. Even if you choose not to vote for my friends, Tropfest is worth checking out if you like short films. I think all of the finalists' films are viewable from the Tropfest YouTube channel. It's a good festival. * Or you can use the search box. Yes, Tropfest's system is a bit convoluted, and yes, it probably favours the first films in the list. But that's how it is."

TROPFEST's Channel - YouTube (Thanks, MikeyP!)

Here is OK Go's excellent video for "Needing/Getting." And yes, it was done "in partnership" with the maker of that particular car. According to the video description, the car "was outfitted with retractable pneumatic arms designed to play the instruments, and the band recorded this version of Needing/Getting, singing as they played the instrument array with the car' There are no ringers or stand-ins; Damian took stunt driving lessons. Each piano had the lowest octaves tuned to the same note so that they'd play the right note no matter where they were struck."